Jim Holland
Cape Cod
1980–2020
Despite massive development of the means of communication, the everyday escapes. This is its definition. We cannot help but miss it if we seek it through knowledge, for it belongs to a region where there is still nothing to know, just as it is prior to all relation insofar as it has always already been said, even while remaining unformulated, that is to say, not yet information. It is not the implicit (of which phenomenology has made broad use); to be sure, it is always already there, but that it may be there does not guarantee its actualization. On the contrary, the everyday is always unrealized in its very actualization which no event, however important or however insignificant, can ever produce. Nothing happens; this is the everyday. But what is the meaning of this stationary movement? At what level is this “nothing happens” situated? For whom does “nothing happen” if, for me, something is necessarily always happening? In other words, what corresponds to the “who? ” of the everyday? And, at the same time, why, in this “nothing happens,” is there the affirmation that something essential might be allowed to happen?
[…]
Boredom is the everyday become manifest: as a consequence of having lost its essential — constitutive — trait of being unperceived. Thus the daily always sends us back to that inapparent and nonetheless unhidden part of existence: insignificant because always before what signifies it; silent, but with a silence that has already dissipated as soon as we keep still in order to hear it, and that we hear better in idle chatter, in that unspeaking speech that is the soft human murmuring in us and around us.
Lieu: Cape Cod MA, USA
Mouvement: Art figuratif
Text: Maurice Blanchot, Everyday Speech, 1959
Publié: Mars 2021
Catégorie: Peinture
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