Peinture

Laurits Andersen Ring

Danish realism

1885–1922

Born in 1854, in the village of Ring, in Southern Zealand, Denmark (from where he took his name), Laurits Andersen Ring trained at the Royal Danish Academy of Fine Arts in Copenhagen. After travels abroad, including a two-year stay in Italy, he returned to Denmark. There his art, both landscape and figure painting, increasingly addressed themes of peasant and traditional rural activities at a moment when this way of life was beginning to fade away. Copenhagen and its surrounding countryside were also favourite motifs of his contemporary and friend Vilhelm Hammershøi, who, like Ring, often depicted scenes empty of people. In the decades following the so-called Danish Golden Age, Ring became one of the leading artists in his native country. His art is indebted to Symbolism while frequently conveying themes of social realism.

Danish realism
A Landscape near Bryrup, Jutland, 1888
Danish realism
View from a Road near Næstved, Zealand, 1893–1896
Danish realism
Harvest, 1885
Danish realism
After Sunset, 1899
Danish realism
A Road near Vinderød, Zealand, 1898
Danish realism
The Road at Mogenstrup, Zealand, Autumn, 1888
Danish realism
Has it Stopped Raining?, 1922
Danish realism
Thaw, 1901
Danish realism
A Sealand Village, Winter, 1906
Danish realism
A Rye Field near Ring Village, 1887
Danish realism
Footpath near Herlufsholm, Zealand, 1890
Danish realism
Waiting for the Train, Level Crossing by Roskilde Highway, 1914
Danish realism
The Fjord near Karrebæksminde, Zealand, 1910
56°00'00.0"N 10°00'00.0"E

Lieu: Denmark
Mouvement: Réalisme, Symbolisme

Collection: Statens Museum for Kunst
Text: The National Gallery


Publié: Juillet 2023
Catégorie: Peinture

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